2006-11-20_Supplemental Agenda Packet--Dossier de l'ordre du jour supplémentaire
City of Saint John
Common Council Meeting
Monday, November 20, 2006
Location: Common Council Chamber
Supplemental Agenda
Re: 8.1
Presentation - Beaverbrook Art Gallery
City of Saint John
Seance du conseil communal
Le lundi 20 novembre 2006
Emplacement: Salle du conseil communal
l'ordre du jour supph~mentaire
Alinea 8.1 Presentation - Galerie d'art Beaverbrook
SAINT JOHN CITY COUNCIL
Monday, November 20, 2006
Thank you, Your Worship, Mayor Norm McFarlane.
Thank you, Councillors
Congratulations to all of you on your great city and your
designation as the energy resource hub of Atlantica.
PREAMBLE
It is a great pleasure for me to speak about the Beaverbrook Art Gallery in
this forum, the timing is perfect, as the interest, support and momentum
continues to grow at the Gallery. Someone said that "today's controversy
is tomorrow's punch line".
I say that the timing is right for my presentation because:
< It is the middle of the controversy with the Beaverbrook Foundations
and the Gallery needs the community to rally behind it in its current
dispute. The Gallery is a jewel in this Province and has been for 45
years.
< This will be my 4th anniversary at the Gallery and I have tried during
that time, to re-position the Gallery and to reach out to the community
and the province:
o To make the Gallery more accessible
o Reach out to new audiences
Saint John City Council Meeting, Monday, November 20, 2006
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o Make the Gallery truly provincial in scope
o Emphasize outreach and
o Bring art and people together
o Diversify the Gallery's funding base
GOVERNANCE
Structure of the Beaverbrook Art Gallery - The Beaverbrook is a
charitable not-for-profit organization that operates under a body
corporate called the Board of Governors.
The affairs of the Beaverbrook Art Gallery are managed by a Board of
Governors.
The Board consists of:
I) the Custodian and eighteen Governors appoint by the Lieutenant-
Governor in Council as follows:
i) one Governor nominated by each of the following:
the Premier of New Brunswick; the Minister of Education;
the Minister of Culture and Sports Secretariat;
the Leader of Her Majesty's Opposition;
the Chancellor of the University of New Brunswick;
the Chancellor of the Universite de Moncton;
the New Brunswick Teachers' Association.
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The Custodian is nominated by the Beaverbrook Canadian
Foundation;
Four Governors nominated by the Custodian;
Four Governors nominated by The Tecolote Foundation; and
Two Governors nominated by the members of the Beaverbrook
Art Gallery.
Very pleased that we have Doug Stanley as a representative from Saint
John
yOur Mandate
The objects of the Beaverbrook Art Gallery are to foster and promote the
study and the public enjoyment and appreciation of the arts of painting,
sculpture and other graphic arts and similar creative and interpretive
activities, including the exhibition and production of works of art, and in
furtherance of such objects to operate and manage the Gallery.@
yOur Vision
Through its widely acknowledged collections, exhibitions and programmes,
the Beaverbrook Art Gallery aims to continue to be recognized as the pre-
eminent art gallery in New Brunswick and Atlantic Canada through:
< the maintenance of one of the best collections in Canada;
< the development of strong links with academia and other arts-related
organizations;
< the promotion of visual literacy in the province; and
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< the maintenance of standards of artistic excellence and the
recognition of artists of national merit.
yMission Statement
Alt is the mission of the Beaverbrook Art Gallery to maintain and develop a
collection that is relevant provincially, regionally, nationally and
internationally; to provide high-quality exhibitions and programs, and to
promote the visual arts in the province and region to a broad spectrum of
current and potential users.@
HISTORY
Sir Max Aitken (Lord Beaverbrook) began planning the construction of an
art gallery in New Brunswick early in the twentieth century. After
considering a number of locations, Lord Beaverbrook settled upon the city
of Fredericton. The Beaverbrook Art Gallery was gifted to the people of
New Brunswick by Lord Beaverbrook and officially opened to the public on
September 16, 1959. It was designated as the Provincial Art Gallery on
December 2, 1994. In October of 1983, the East Wing was added and in
May, 1995 the Marion McCain Atlantic Gallery was opened to the public. In
2004 the Beaverbrook Art Gallery celebrated its 45th anniversary. We
celebrate our 50th anniversary in 2009.
In his speech at the opening of the Beaverbrook Art Gallery, September 16,
1959, made the following comment.
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"It may be that I am recalled chiefly as the builder and founder of an art
gallery. The labor of age may prove more lasting that the strident
achievements of youth, falling upon these walls, may draw from them an
impulse to create and emulate".
COLLECTION AND PROGRAMS
The Beaverbrook Art Gallery's permanent collection was established In
1959 by Lord Beaverbrook's initial gifts that included the donation of
valuable British and Canadian works of art, among them paintings by
eighteenth-century British masters such as Reynolds and Gainsborough
and popular Canadian artists such as Cornelius Krieghoff and members of
the Group of Seven.
The permanent collection of the Beaverbrook Art Gallery has grown from
the initial collection of three hundred works in 1959 to more than 3,000 at
present. It is comprised of three major categories: the Canada Collection,
the British Collection and the International Collection. The core of the
permanent collection was assembled during the 1950's by Sir Max Aitken
(Lord Beaverbrook), Sir James Dunn, Lady Dunn and their associates. The
works acquired at this time reflects the affiliation of these individuals with
both Canada and England.
The Canadian Collection features a comprehensive representation of
paintings, drawings and prints from across Canada, with an emphasis on
the art of the Atlantic Region. Miller Brittian, Mary Pratt, Marie Helene
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Allain, Gathie Falk, Genevieve Cadieux, Attila Richard Lukacs, and Robin
Colyer are among the Canadian artists represented.
The British Collection includes an extensive selection of British paintings
and prints from the Georgian, Victorian and Modern periods, including
works by Joshua Reynolds, John Constable, Graham Sutherland and
Walter Sickertt. This is one of the most important collection of British Art in
Canada.
The International Collection features the work of French, Italian, Dutch and
Spanish artists which date from 1340 to 1958.
Initiatives are currently underway to acquire works by artists associated
with New Brunswick and Atlantic Canada-both historical and
contemporary .
Hotel Bedroom by Lucian Freud is a study of the collecting tastes of Lord
Beaverbrook. He was primarily interested in narrative paintings that told a
story. Hotel Bedroom, with its Gothic overtones, reflects that strong vein of
realism and the observation of human affairs that is a characteristic of
British art. The painting was bought from the 1955 Daily Express Young
Artist' Exhibition which was an enterprise established by Beaverbrook
between the two wars to showcase the work of artists under 25.
Hotel Bedroom is a self-portrait with Freud silhouetted in shadow against
the window and his new bride, Lady Caroline Blackwood, lying immobile in
bed, her glazed expressions indicative of profound distress. The setting for
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this human drama was the Hotel Louisiana, a small hotel on the Left Bank
in Paris where Freud and his wife spent part of the winter of 1953/54 in
apparent discomfort.
Freud's Hotel Bedroom, is undoubtedly a major piece. John Russell, the
art critic and current biographer of Picasso, has said that with Hotel
Bedroom, the artist has actually skinned himself alive. "Suddenly we
realized that there is a point beyond which interrogation and torture are one
and the same thing."
Hotel Bedroom has been exhibited at the Hirshhorn Museum, Washington;
Hayward Gallery, London; Centre Georges Pompidou, Paris; and the Altes
Museum in Berlin. All reviews have been unequivocally positive, and
having such a seminal work in The Beaverbrook Gallery's collection
certainly places it on the international art world map.
CURRENT ISSUES WITH THE SEA VERSROOK FOUNDA TION
I want to emphasize the admiration, respect, and pride that the Board of
Governors and everyone associated with the Beaverbrook Art Gallery have
for our founder, Lord Beaverbrook (Sir Max Aitken). We are immensely
appreciative of the financial and other support which the Gallery has
received over the years both from the Beaverbrook (UK) Foundation and
the Beaverbrook Canadian Foundation.
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The current dispute regarding the ownership of a designated number of
artworks is most regrettable. Initially the parties attempted to agree on a
non-court resolution of the disputed claims. Unfortunately, on May 5, 2004,
while those discussions were ongoing and without prior notice to the
Gallery, the Beaverbrook(UK) Foundation commenced an action against
the Gallery in the United Kingdom. Upon learning of that action the Gallery
filed its action in the courts of New Brunswick against the Foundations and
others. I am pleased to report, however, that an agreement has been
reached recently between the Gallery and the Beaverbrook (UK)
Foundation to see a resolution to their part of the disputed claims through
arbitration in the Province of New Brunswick.
At the present time, the action by the Gallery against the Beaverbrook
Canadian Foundation in the New Brunswick courts is anticipated to
proceed in 2007.
When faced with the Foundations' requests that the Gallery enter into loan
agreements that confirmed that the works of art in question were, and at all
material times had been, owned by the Foundations, the Board had a
fiduciary responsibility to determine the validity of the Foundations' title
claims. To do otherwise would have been tantamount to a betrayal of the
public trust to oversee and represent the best interests of the Gallery and
the people of New Brunswick. The Gallery initiated a comprehensive
search of the title to the artworks. The result of the "search" indicated that
the majority of the artworks in question were gifts from Lord Beaverbrook
and others to the Gallery and the people of New Brunswick, not loans.
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With this information, the Gallery Board of Governors had no other
alternative but to contest the Foundations' claims. It is important to stress
that the Gallery has no interest or intention to maintain any claims to
property a competent authority deems it does not own; however, the
Gallery is also bound not to surrender any works of art that are in fact
owned by the Gallery.
BUDGET
Breakdown of Budget is as follows (see Chart)
13% Provincial Grants/Funding
11 % Federal Grants/Funding
20/0 Municipal Grants / Funding
180/0 Generated Income
14% Grants
170/0 Benefactors
250/0 Investment Income
COMMENT: The financial support of Foundations, the Province of New
Brunswick, the City of Fredericton, corporations and private individuals
needs to be enlarged upon to enable the Gallery to play its role in the visual
arts in New Brunswick.
We are respectfully requesting the City of Saint John to provide a grant of
$25,000 to the Beaverbrook Art Gallery.
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THE FUTURE GOALS
BUILD ON THE VISION OF LORD BEAVERBROOK AND CELEBRATE
OUR FOUNDER.
BUILD ON THE VALUES OF THE INSTITUTION
MAKING THE ARTS MORE CENTRAL TO SOCIETY
PROMOTE ART EDUCATION AND ART APPRECIATION.
EXPLORE ALL OPPORTUNITIES TO BRING THE COMMUNITY INTO
THE GALLERY.
CONTINUE TO HAVE THE SUPPORT OF THE TRADITIONAL
SUPPORTERS.
DEVELOP A NEW GENERATION OF PATRONS
BUILD ON THE PROVINCIAL ART GALLERY ROLE.
INFRASTRUCTURE (PHASE I AND PHASE II EXPANSION)
DETERMINE THE GAPS IN THE COLLECTION AND STRENGTHEN THE
COLLECTION
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MARKETING / PROMOTION OPPORTUNITIES AND ARRANGE
PARTNERSHIPS IN THE COMMUNITY.
ESTABLISHMENT OF A DEVELOPMENT/FUND RAISING COMMITTEE
AND LAUNCH A NATIONAL FUND RAISING CAMPAIGN ENDOWMENT
FUND. (GOAL $10M - $12M)
BUILD ON THE VALUES OF THE INSTITUTION
A NATIONAL TOUR OF THE SAINT JOHN ARTIST, MILLER BRITTAIN
To do all of this in Celebration of our Artists.
THE END
How can you help and how can we, collectively, make a difference in this
community.
i) Celebrate our artists and our visual culture, both historically and
contemporary.
ii) Become a member - individual, family, corporate or life.
iii) Become a patron; Name a Space; Consider a bequest; take out a life
insurance.
iv) Participate and be involved in your gallery
v) Become an advocate for the arts and the Gallery.....
philosophically care and nurture the arts and those things that make us
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more and 'the more we appreciate the arts the better we are in human
understanding!
Exhibitions that have traveled to Saint John in the last two years:
Max Streicher: Four Horses
New Brunswick Young Art
Studio Watch: Emerging Artist Series
Will travel to Saint John in 2007:
THE LIFE AND ART OF A COUNTRY PAINTER: Anthony Flower (1792-1875)
Studio Watch: Emerging Artist Series
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